Showing posts with label Simon Opie. Show all posts
Showing posts with label Simon Opie. Show all posts
on Tuesday, January 10, 2017
Words: Simon Opie


Following Part One of this best of 2016 albums, featuring the likes of Sub Pop's Heron Oblivion and the now departing Dillinger Escape Plan, comes ten quite exceptional albums that really could have been placed in any order. But here they are, for the purposes of presentation, from 10 to 1:
on Monday, January 09, 2017
Words: Simon Opie


It’s been a quite turbulent year, as they say, and I rather doubt next year will be any calmer. That may be good for music as artists have a cause to create, but in fact 2016 was already a really good year for music. Here’s my list of my favourite 20 albums in descending order – preferences naturally change so I’ve tried to be honest about which records have really inspired my listening this year. I think it’s a cracking collection of geographically diverse albums – hope you enjoy it too!
on Tuesday, December 29, 2015
Words: Simon Opie


As is now traditional, here's my view of the best of 2015 – twenty albums, in a loose interpretation of the term, featured in reverse order. We’ve posted albums 20 – 11 (featuring the likes of Godspeed You! Black Emperor and Sir Richard Bishop) and now the final countdown, complete with Spotify playlist (embedded below). Enjoy!
on Monday, December 28, 2015
Words: Simon Opie

FADED GLAMOUR Best Of 2015

As is now traditional, here's my view of the best of 2015 – twenty albums, in a loose interpretation of the term, featured in reverse order. There’s been so much good music this year that JSBX, Kristin McClement, Sleater-Kinney, Fuzz, British Sea Power and many others didn’t make the cut. We hope the 20 records that did will entertain you nonetheless:
on Sunday, October 18, 2015
Clutch – 'Psychic Warfare' (UK Release: 2 Oct '15) // Words: Simon Opie


Here’s the scoop – Clutch release greatest hits album called 'Psychic Warfare'. Here’s the catch – it doesn’t contain any of their greatest hits, but trust me it will. Ultra consistent Clutch have followed 2013’s widely acclaimed 'Earthrocker' with their eleventh studio release that may well be their best work yet.
on Saturday, August 29, 2015
ArcTanGent (Fernhill Farm, 20-22 Aug '15) // Words: Simon Opie


ArcTanGent is in its third year and is a relatively small scale festival, being "the UK’s only festival dedicated to the very best music from the worlds of math-rock, post-rock and noise rock" to quote their website.
on Monday, May 25, 2015
Words: Simon Opie


We’ve been rather quiet of late but I like to think that is a reflection of the quality of the music that’s been released so far in 2015, which has demanded serious attention. To bring things up to date we’d like to share seven albums that should be heard, and so to leap straight in…
on Friday, January 30, 2015
Sleater-Kinney – No Cities To Love (UK Release: 19 Jan '15) // Words: Simon Opie


Ten years ago 'The Woods' established riot grrrl heroines Sleater-Kinney as one of the very best rock bands around – of whatever gender; but the tour in support of the album was followed by an indefinite hiatus for the band. Now they’re back, and 'No Cities To Love' was worth the wait.
on Thursday, December 25, 2014
Words: Simon Opie


10: Pink Mountaintops - 'Get Back'


We reviewed this one in springtime and it has remained a firm favourite all year. Stephen McBean’s side project exudes freedom and this loose format conveys a wonderful sense of friends together making the kind of music they really like to hear. Borrowing from a host of influences it’s just so, well, unpretentious. Best cover art of the year too.
Buy only one track: 'The Second Summer Of Love'
on Tuesday, December 23, 2014
Words: Simon Opie

20: Slipknot - '.5: The Gray Chapter'

After the death of Paul Gray, Slipknot’s future seemed unsure and when Joey Jordison, their talismanic and talented drummer, was fired, well the game seemed up. But '.5: The Gray Chapter' shows enormous resolve in the face of adversity and whilst it may lack some of the sheer bombast of previous albums it is undeniably a fine effort and a very fitting tribute to a fallen comrade. Buy only one track: 'The Devil In I'
on Wednesday, October 08, 2014
Devil Sold His Soul live at The Underworld, London (3rd Oct '14) // Words: Simon Opie


If you are looking for a proper gig review then it’s probably not worth reading any further. This piece is actually about why I think music matters. Friday’s Devil Sold His Soul gig at The Underworld was billed as an EP launch and they played quite a bit from their upcoming November release. They also played a selection of older material mostly from the last album 'Empire Of Light' including the live staple 'No Remorse, No Regrets' and the epic 'End Of Days'. Both new and old material was delivered with a raw energy and commitment that I find totally inspiring.
on Tuesday, September 30, 2014
Words: Simon Opie


A few weeks ago, I went to the most boutique of boutique festivals at a secret location in the woods. In fact it was not far from the secret location where I live. At first glance the In The Woods line-up didn’t look to be exactly my kind of thing but the weekend turned into a very rewarding voyage of discovery. It really is in the woods and the laid-back vibe and smallish, friendly crowd make this a festival I can highly recommend.
on Thursday, July 03, 2014
Words: Simon Opie


We’ve been sweeping up new releases in 2014 in batches and with the first half of the year now out of the way, we have four diverse, quality offerings from Black Bananas, Liars, Feed The Rhino, and Down.
on Tuesday, June 03, 2014
Words: Simon Opie


Camden has developed several indoor festival-type events, each very different in character, including last Saturday’s eponymous Camden Rocks. Following April’s terrific Desertfest, Camden has rocked significantly of late and Camden Rocks showcased a plethora of bands in one day across 18 venues with headliners such as Johnny Borrell & Zazou, and The Subways. But for the ultimate headlining slot there was only one place to be at the end of the day – crammed into the sweaty and intimate Barfly for a truly great performance from one of this column’s very favourite bands – Orange Goblin.
on Tuesday, May 20, 2014
Words: Simon Opie


Yes that’s right, just like buses 2014 bursts into life with five albums worth checking out so straight to business with some mini reviews - including the return of The Black Keys and side projects from members of Super Furry Animals and Black Mountain.
on Thursday, May 01, 2014
Words: Saam Das


There’s not been a great deal that has excited this column thus far in 2014. So with the excuse of the anniversary of the Great Escape (WW2, not Brighton), we’ve been looking back at 2013 and unearthed three great albums (courtesy of Magik Markers, The Black Angels, and ASG) that tunnelled under our observation towers the first time around.
on Sunday, February 09, 2014
Words: Simon Opie


Returning to the UK after a break away, I opened the altrock inbox to some very pleasant surprises. I don’t think the Sunday Selection has ever been so closely fought, as it has of late, and so I thought it only right to bring in the new by featuring three excellent new tracks. We’ll also pick up on the terrific new single from the recently hyped Girl Band, a previous winner of the FG weekly accolade.
on Tuesday, December 31, 2013
Words: Simon Opie


We started to nominate a weekly Sunday Selection from the Altrock inbox in February 2013, which was posted to facebook.com/fadedglamour and the FG Twitter. Some of the Sunday favourites have been featured here already. Overall, it’s been quite a voyage of discovery with a very international flavour. Bring in the new year with my definitive playlist of 2013, as provided by the very best of the Sunday selections...
on Monday, November 11, 2013
Humble Pie - Performance: Rockin' The Fillmore (UK Release: 28 Oct '13) // Words: Simon Opie


In the 1970s, live albums became highly popular and hence profitable. So labels started recording almost everything by way of live performance, although much has leaked out over the years and is often of questionable quality. Back then, rock music still retained some common roots with jazz – bands played more than one set per night – and both genres exploited the live album as a way of capturing the dynamic quality of the music that often did not come across in studio recordings.
on Tuesday, October 29, 2013
Jesu – 'Everyday I Get Closer To The Light From Which I Came' (UK Release: 23 Sept '13) // Words: Simon Opie


Justin Broadrick played in Napalm Death, pioneered industrial music in the UK with Godflesh and numerous side projects, and now has a solo project, which is sometimes also a band, called Jesu. In addition, he has produced a whole host of big name artists and started several record labels. Many, including me, think he is a genius and if you’re as yet unconvinced, then try listening to Jesu’s new album 'Everyday I Get Closer To The Light From Which I Came'.

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